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Rich, vivid color for Blackmagic RAW (BRAW) footage. Expose with the Reference LUT, then grade with Low, Medium or High Sat looks that keep skin tones natural and the image clean.
Built for filmmakers shooting Blackmagic RAW who want a polished starting point instead of flat, gray footage.
REFERENCE – Braw Ludeman Vivid LUT: for exposing and checking your BRAW footage.
LOW SAT – Braw Vivid Ludeman LUT: a subdued look that works well for documentary footage or as a base for your own grade.
MED SAT – Braw Vivid Ludeman LUT: balanced saturation and contrast, a go-to for natural light and talking heads.
HIGH SAT – Braw Vivid Ludeman LUT: pushes color vibrancy for rich outdoor and commercial visuals.
Best results when exposing to the right (ETTR) using your histogram.
A minor temperature or tint adjustment may be needed depending on your lighting.
Make sure your camera is properly white-balanced before recording.
These LUTs are built for Blackmagic RAW (BRAW) footage.
Rich, vivid color for Blackmagic RAW (BRAW) footage. Expose with the Reference LUT, then grade with Low, Medium or High Sat looks that keep skin tones natural and the image clean.
Built for filmmakers shooting Blackmagic RAW who want a polished starting point instead of flat, gray footage.
REFERENCE – Braw Ludeman Vivid LUT: for exposing and checking your BRAW footage.
LOW SAT – Braw Vivid Ludeman LUT: a subdued look that works well for documentary footage or as a base for your own grade.
MED SAT – Braw Vivid Ludeman LUT: balanced saturation and contrast, a go-to for natural light and talking heads.
HIGH SAT – Braw Vivid Ludeman LUT: pushes color vibrancy for rich outdoor and commercial visuals.
Best results when exposing to the right (ETTR) using your histogram.
A minor temperature or tint adjustment may be needed depending on your lighting.
Make sure your camera is properly white-balanced before recording.
These LUTs are built for Blackmagic RAW (BRAW) footage.